D16 Group Repeater 1.1.4 !NEW!
D16 Group Repeater 1.1.4: A Versatile Delay Plugin with 23 Vintage Models
If you are looking for a delay plugin that can emulate the sound of various classic and modern delay units, you might want to check out D16 Group Repeater 1.1.4. This plugin is a collaboration between D16 Group and Slate Digital, and it features 23 different delay models that cover everything from tape delays and oil cans to digital circuits and plates.
D16 Group Repeater 1.1.4
In this article, we will take a closer look at D16 Group Repeater 1.1.4 and see what it can do for your music production.
What is D16 Group Repeater 1.1.4?
D16 Group Repeater 1.1.4 is a VST/AU/AAX plugin that works with any compatible host application. It is designed to be a flexible double delay line effect that can create stereo or mono delays with independent control of each channel.
The plugin has a simple and intuitive interface that lets you choose from 23 delay models, each with its own character and tone. You can also adjust the parameters such as time, feedback, mix, width, modulation, saturation, filtering, ducking, and more.
D16 Group Repeater 1.1.4 also has a MIDI Learn feature that allows you to assign any parameter to your MIDI controller for easy automation and expression.
What are the 23 delay models in D16 Group Repeater 1.1.4?
The 23 delay models in D16 Group Repeater 1.1.4 are based on some of the most iconic delay units ever created, as well as some original designs by D16 Group and Slate Digital. Here is a brief overview of each model:
Space Delay: Based on the Roland RE-201 Space Echo, a classic tape echo unit with spring reverb.
Tape Delay: Based on the Echoplex EP-3, a legendary tape delay unit with warm and organic sound.
Oil Can: Based on the Tel-Ray Variable Delay, a unique oil can delay unit with metallic and resonant sound.
Digital 42: Based on the Lexicon PCM42, a high-end digital delay unit with smooth and pristine sound.
Digital 42 x 2: Based on two Lexicon PCM42 units running in parallel for a wider stereo image.
Digital Delay: Based on the Boss DD-2, one of the first digital delay pedals with clear and bright sound.
BBD Delay: Based on the Electro-Harmonix Deluxe Memory Man, a bucket brigade device (BBD) delay pedal with warm and analog sound.
Pitch Shift Delay: Based on the Eventide H910 Harmonizer, a pitch shifting delay unit with creative and musical sound.
Pitch Shift Delay x 2: Based on two Eventide H910 Harmonizers running in parallel for a richer stereo image.
Lo-Fi Delay: Based on the Line 6 Echo Pro, a lo-fi delay unit with gritty and distorted sound.
Radio Delay: Based on the Line 6 Echo Pro, a radio-like delay unit with band-pass filtering and noise.
Pong Delay: Based on the Line 6 Echo Pro, a ping-pong delay unit with alternating left and right delays.
Pong Delay x 2: Based on two Line 6 Echo Pro units running in parallel for a more complex ping-pong effect.
Dual Delay: Based on the Line 6 Echo Pro, a dual delay unit with independent control of each delay line.
Dual Delay x 2: Based on two Line 6 Echo Pro units running in parallel for a more flexible dual delay effect.
Diffuse Delay: Based on the Line 6 Echo Pro, a diffuse delay unit with smooth and ambient sound.
Diffuse Delay x 2: Based on two Line 6 Echo Pro units running in parallel for a more lush diffuse effect.
Reverse Delay: Based on the Line 6 Echo Pro, a reverse delay unit with reversed echoes.
Reverse Delay x 2: Based on two Line 6 Echo Pro units running in parallel for a more complex reverse effect.
Modulated Delay: Based on the TC Electronic TC2290, a modulated delay unit with chorus-like sound.
Modulated Delay x 2: Based on two TC Electronic TC2290 units running in parallel for a more spacious modulated effect.
Plate Reverb: Based on the EMT140 Plate Reverb, a classic plate reverb unit with metallic and dense sound.
Slate Digital Custom Model: An original design by Slate Digital that combines various features from different models for a versatile and modern sound.
How to use D16 Group Repeater 1.1.4 for your music production?
D16 Group Repeater 1.1.4 can be used for various purposes in your music production, such as adding space, depth, movement, texture, character, or excitement to your tracks. Here are some tips on how to use it effectively:
Choose the right model for your track: Depending on the style and mood of your track, you might want to choose a different model that suits it best. For example, if you want to add some vintage vibe to your track, you might want to use one of the tape or oil can models. If you want to add some clarity and brightness to your track, you might want to use one of the digital models. If you want to add some creativity and musicality to your track, you might want to use one of the pitch shift or reverse models.
Adjust the time and feedback parameters: The time parameter controls how long it takes for the echo to repeat after the original signal. The feedback parameter controls how many times the echo repeats itself before fading out. You can adjust these parameters to create different types of delays, such as slapback delays (short time and low feedback), rhythmic delays (synced time and moderate feedback), or ambient delays (long time and high feedback).
Mix the dry and wet signals: The dry signal is the original signal without any effect applied to it. The wet signal is the processed signal with the effect applied to it. You can adjust the mix parameter to balance between these two signals according to your preference. For example, if you want to keep your track clear and natural sounding, you might want to use a low mix value (more dry than wet). If you want to make your track more spacious and atmospheric sounding, you might want to use a high mix value (more wet than dry).
Use modulation and saturation for extra character: Modulation is an effect that adds subtle variations to the pitch or timing of the echo signal. Saturation is an effect that adds subtle distortion or warmth to the echo signal. You can use these effects to add some extra character or color to your track. For example, if you want to make your track more lively and dynamic sounding, you might want to use some modulation (such as chorus or flanger). If you want to make your track more warm and analog sounding, you might want to use some saturation (such as tape or tube).
Use filtering and ducking for extra control: Filtering is an effect that cuts off certain frequencies from the echo signal. Ducking is an effect that lowers the volume of the echo signal when there is an input signal present. You can use these effects to add some extra control or clarity to your track. For example, if you want to make your track more focused and less muddy sounding, you might want to use some filtering (such as low-pass or high-pass). If you want to make your track more balanced and less cluttered sounding, you might want to use some ducking (such as side-chain or envelope).
Conclusion
D16 Group Repeater 1.1.4 is a versatile delay plugin that can emulate various classic and modern delay units with high quality and flexibility. It can be used for various purposes in your music production such as adding space depth movement texture character or excitement to your tracks.
If you are interested in trying out D16 Group Re
What are the benefits of using D16 Group Repeater 1.1.4?
Using D16 Group Repeater 1.1.4 can bring many benefits to your music production, such as:
Enhancing your tracks with realistic and authentic delay sounds that emulate the best delay units in history.
Experimenting with different delay models and parameters to create unique and inspiring effects that suit your musical vision.
Adding depth, width, and dimension to your tracks with stereo processing and two-stage stereo spread.
Controlling your delays with ease and precision with MIDI Learn functionality and sync options.
Optimizing your workflow with a simple and intuitive interface and a tag-based browser.
What are some tips and tricks for using D16 Group Repeater 1.1.4?
Here are some tips and tricks for getting the most out of D16 Group Repeater 1.1.4:
Use the Color control to adjust the overall tone of the delay signal. You can make it brighter or darker depending on your preference.
Use the Drive control to add some subtle saturation or distortion to the delay signal. You can make it more warm or aggressive depending on your preference.
Use the Ducking control to lower the volume of the delay signal when there is an input signal present. This can help you avoid masking or muddying your original signal.
Use the Spread control to adjust the stereo width of the delay signal. You can make it more narrow or wide depending on your preference.
Use the Ping-Pong mode to create bouncing echoes that alternate between left and right channels. This can create a more interesting and dynamic effect.
How to get D16 Group Repeater 1.1.4?
If you are interested in getting D16 Group Repeater 1.1.4, you can purchase it from the official website of D16 Group or Slate Digital. You can also download a free trial version to test it out before buying it.
D16 Group Repeater 1.1.4 is compatible with Mac and Windows operating systems, and it works as a VST, AU, or AAX plugin with any compatible host application.
The price of D16 Group Repeater 1.1.4 is 89, but you can also get it as part of the Slate Digital Everything Bundle, which includes over 60 plugins for a monthly or yearly subscription fee.
D16 Group Repeater 1.1.4 is a powerful and versatile delay plugin that can help you create amazing sounds for your music production. Whether you want to emulate classic delay units or create your own custom effects, D16 Group Repeater 1.1.4 has you covered.
Try it out today and see what it can do for you!
Conclusion
D16 Group Repeater 1.1.4 is a versatile delay plugin that can emulate various classic and modern delay units with high quality and flexibility. It can be used for various purposes in your music production such as adding space depth movement texture character or excitement to your tracks.
It features 23 different delay models, each with its own character and tone. It also offers two independent delay lines, each with its own adjustable parameters. You can also control your delays with MIDI Learn functionality and sync options. You can optimize your workflow with a simple and intuitive interface and a tag-based browser.
You can purchase D16 Group Repeater 1.1.4 from the official website of D16 Group or Slate Digital. You can also download a free trial version to test it out before buying it. It is compatible with Mac and Windows operating systems, and it works as a VST, AU, or AAX plugin with any compatible host application.
If you are looking for a delay plugin that can give you realistic and authentic delay sounds, as well as creative and inspiring effects, you should definitely check out D16 Group Repeater 1.1.4. It is a powerful and versatile tool that can help you create amazing sounds for your music production. 6c859133af
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